Results displayed by award category; sort is chronological
Win indicated by an asterisk (*)
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1999 (72nd)
Russell Crowe -- The Insider {"Jeffrey Wigand"}
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Richard Farnsworth -- The Straight Story {"Alvin Straight"}
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Sean Penn -- Sweet and Lowdown {"Emmet Ray"}
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| * | Kevin Spacey -- American Beauty {"Lester Burnham"}
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Denzel Washington -- The Hurricane {"Rubin 'Hurricane' Carter"}
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| * | Michael Caine -- The Cider House Rules {"Dr. Wilbur Larch"}
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Tom Cruise -- Magnolia {"Frank T.J. Mackey"}
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Michael Clarke Duncan -- The Green Mile {"John Coffey"}
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Jude Law -- The Talented Mr. Ripley {"Dickie Greenleaf"}
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Haley Joel Osment -- The Sixth Sense {"Cole Sear"}
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Annette Bening -- American Beauty {"Carolyn Burnham"}
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Janet McTeer -- Tumbleweeds {"Mary Jo Walker"}
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Julianne Moore -- The End of the Affair {"Sarah Miles"}
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Meryl Streep -- Music of the Heart {"Roberta Guaspari"}
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| * | Hilary Swank -- Boys Don't Cry {"Brandon Teena/Teena Brandon"}
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Toni Collette -- The Sixth Sense {"Lynn Sear"}
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| * | Angelina Jolie -- Girl, Interrupted {"Lisa Rowe"}
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Catherine Keener -- Being John Malkovich {"Maxine"}
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Samantha Morton -- Sweet and Lowdown {"Hattie"}
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Chloë Sevigny -- Boys Don't Cry {"Lana Tisdel"}
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Life -- Rick Baker
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"Blame Canada" from South Park: Bigger, Longer & Uncut -- Music and Lyric by Trey Parker and Marc Shaiman
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"Music of My Heart" from Music of the Heart -- Music and Lyric by Diane Warren
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"Save Me" from Magnolia -- Music and Lyric by Aimee Mann
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"When She Loved Me" from Toy Story 2 -- Music and Lyric by Randy Newman
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| * | "You'll Be In My Heart" from Tarzan -- Music and Lyric by Phil Collins
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| * | To NICK PHILLIPS for the design and development of the three-axis Libra III remote control camera head. The Libra III head can accept a range of film cameras and their lenses and allows the operator to add stabilization to each axis for medium focal length lenses. Motion capture and playback are also selectable features. [Stage Operations]
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| * | To FRITZ GABRIEL BAUER for the concept, design and engineering of the Moviecam Superlight 35mm Motion Picture Camera. The quiet Moviecam Superlight is an extremely small and light 35mm professional motion picture sound camera which allows the cinematographer to film in ways and situations that were never before possible. [Camera]
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| * | To IAIN NEIL for the optical design, RICK GELBARD for the mechanical design, and PANAVISION, INC. for the development of the Millennium Camera System viewfinder. This unique and versatile viewfinder with two independent viewing positions provides a very high-resolution video assist image, greatly enhancing its application for on-set compositing or non-linear editing. [Camera]
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| * | To HUW GWILYM, KARL LYNCH and MARK V. CRABTREE for the design and development of the AMS Neve Logic Digital Film Console for motion picture sound mixing. This console allows the user multi-position mixing capabilities, stem routing predub inputs and other filmcentric attributes. This is the first fully digital audio mixing console specifically designed for post-production film mixing. [Sound]
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| * | To JAMES MOULTRIE for the mechanical design, and to MIKE SALTER and MARK CRAIG GERCHMAN for the optical design of the Cooke S4 Range of Fixed Focal Length Lenses for 35mm motion picture photography. These state-of-the-art fixed focal length 35mm lenses are the result of intense efforts to meet industry requirements in several areas. Providing superior performance in several cinematographic aspects, these lenses include a unique linear focus system. [Lenses and Filters]
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| * | To MARLOWE A. PICHEL for development of the process for manufacturing Electro-formed Metal Reflectors which, when combined with the DC Short Arc Xenon Lamp, became the worldwide standard for motion picture projection systems. The impact of the Electro-formed Metal Reflector over the decades has completely changed the presentation side of the motion picture industry allowing the replacement of the carbon arc light source and the implementation of automated projection systems. [Projection]
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| * | To L. RON SCHMIDT for the concept, design and engineering of the Linear Loop Film Projectors. These radically new motion picture film projectors provide superior print handling, image steadiness, screen illumination and enhanced viewer experience by means of an extremely simple air-driven mechanical transport system. [Projection]
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| * | To NAT TIFFEN of Tiffen Manufacturing Corporation for the production of high-quality, durable, laminated color filters for motion picture photography. Materials of uniform color characteristics are implanted between layers of optical glass and bonded together under extremes of heat and pressure. The outer surfaces are ground and polished to specified close tolerances, free of distortion and resistant to changes in temperature or humidity, then bound with a protective metal ring. [Lenses and Filters]
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| * | To VIVIENNE DYER and CHRIS WOOLF for the design and development of the Rycote Microphone Windshield Modular System. Designed to eliminate physical acoustical rumble and to mask a microphone's high sensitivity to wind and other unwanted noises, the lightweight and rugged Rycote Microphone Windshields accomplish these tasks without altering or impairing the original frequency response of the microphone. [Sound]
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| * | To LESLIE DREVER for the design and development of the Light Wave microphone windscreens and isolation mounts from Light Wave Systems. Designed to eliminate physical acoustical rumble and to cover a microphone's high sensitivity to wind and other unwanted noises, the Light Wave Systems line of shock mounts and windscreens accomplish these tasks without altering or impairing the original frequency response of the microphone. [Sound]
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| * | To RICHARD C. SEHLIN for the concept, and DR. MITCHELL J. BOGDANOWICZ and MARY L. SCHMOEGER of the Eastman Kodak Company for the design and development of the Eastman Lamphouse Modification Filters. The ELM Filters enable a laboratory to achieve additive printer contrast and color reproduction using a subtractive lamphouse. [Lenses and Filters]
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| * | To HOYT H. YEATMAN, JR. of Dream Quest Images and JOHN C. BREWER of the Eastman Kodak Company for the identification and diagnosis leading to the elimination of the "red fringe" artifact in traveling matte composite photography. The elimination of the "red fringe" artifact in traveling matte composite photography obviates expensive additional computerized image processing thus reducing the time involved in producing a seamless and convincing composite shot. [Laboratory]
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