Results displayed by award category; sort is chronological
Win indicated by an asterisk (*)
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2003 (76th)
Johnny Depp -- Pirates of the Caribbean: The Curse of the Black Pearl {"Jack Sparrow"}
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Ben Kingsley -- House of Sand and Fog {"Behrani"}
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Jude Law -- Cold Mountain {"Inman"}
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Bill Murray -- Lost in Translation {"Bob Harris"}
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| * | Sean Penn -- Mystic River {"Jimmy Markum"}
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Alec Baldwin -- The Cooler {"Shelly Kaplow"}
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Benicio Del Toro -- 21 Grams {"Jack Jordan"}
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Djimon Hounsou -- In America {"Mateo"}
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| * | Tim Robbins -- Mystic River {"Dave Boyle"}
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Ken Watanabe -- The Last Samurai {"Katsumoto"}
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Keisha Castle-Hughes -- Whale Rider {"Paikea"}
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Diane Keaton -- Something's Gotta Give {"Erica Barry"}
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Samantha Morton -- In America {"Sarah"}
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| * | Charlize Theron -- Monster {"Aileen Wuornos"}
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Naomi Watts -- 21 Grams {"Cristina Peck"}
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Shohreh Aghdashloo -- House of Sand and Fog {"Nadi"}
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Patricia Clarkson -- Pieces of April {"Joy Burns"}
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Marcia Gay Harden -- Mystic River {"Celeste Boyle"}
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Holly Hunter -- Thirteen {"Melanie"}
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| * | Renée Zellweger -- Cold Mountain {"Ruby Thewes"}
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"Belleville Rendez-vous" from The Triplets of Belleville -- Music by Benoît Charest; Lyric by Sylvain Chomet
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"A Kiss at the End of the Rainbow" from A Mighty Wind -- Music and Lyric by Michael McKean and Annette O'Toole
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"Scarlet Tide" from Cold Mountain -- Music and Lyric by T Bone Burnett and Elvis Costello
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"You Will Be My Ain True Love" from Cold Mountain -- Music and Lyric by Sting
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| * | To DIGIDESIGN for the design, development and implementation of the Pro Tools® digital audio workstation. The efficient algorithms, extensible architecture and intuitive interface have enabled Pro Tools to become the worldwide standard for the creation and editing of motion picture soundtracks. [Sound]
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| * | To BILL TONDREAU of Kuper Controls for his significant advancements in the field of motion control technology for motion picture visual effects. Measuring his valuable contributions to the invention and implementation of robotic camera systems in decades rather than years, his efforts have aided motion control in becoming a core technology that has supported the renaissance of visual effects. [Systems]
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| * | To KINOTON GmbH for the engineering and development of the Kinoton FP 30/38 EC II Studio Projector. This high-speed studio projector produces an image quality equal to projectors with Geneva movements. With its unparalleled shuttle speed, reversibility and acceleration, this projector has set a new standard for post-production viewing as well as in traditional screening facilities. [Projection]
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| * | To KENNETH L. TINGLER, CHARLES C. ANDERSON, DIANE E. KESTNER and BRIAN A. SCHELL of the Eastman Kodak Company for the successful development of a process-surviving antistatic layer technology for motion picture film. This technology successfully controls the static charge buildup on processed intermediate and sound negative films during high speed printing operations. [Laboratory]
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| * | To CHRISTOPHER ALFRED, ANDREW J. CANNON, MICHAEL C. CARLOS, MARK CRABTREE, CHUCK GRINDSTAFF and JOHN MELANSON for their significant contributions to the evolution of digital audio editing for motion picture post production. Through their respective pioneering efforts with AMS AudioFile, Waveframe and Fairlight, the work of these gentlemen contributed significantly to the development and realization of digital audio workstations with full editing capabilities for motion picture soundtracks. [Digital Imaging Technology]
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| * | To STEPHEN REGELOUS for the design and development of Massive, the autonomous agent animation system used for the battle sequences in "The Lord of the Rings" trilogy. Massive takes a new approach in simulating behaviors of large numbers of computer-generated extras a.k.a. "agents." Each "agent" contains a primitive software "brain" used to develop behavioral rules simulating a wide range of behaviors. In "The Lord of the Rings" trilogy, over 200,000 agents were controlled in several scenes. [Digital Imaging Technology]
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