Results displayed by award category; sort is chronological
Win indicated by an asterisk (*)
-
2002 (75th)
| * | Adrien Brody -- The Pianist {"Wladyslaw Szpilman"}
|
Nicolas Cage -- Adaptation {"Charlie Kaufman & Donald Kaufman"}
|
Michael Caine -- The Quiet American {"Thomas Fowler"}
|
Daniel Day-Lewis -- Gangs of New York {"Bill 'The Butcher' Cutting"}
|
Jack Nicholson -- About Schmidt {"Warren Schmidt"}
|
| * | Chris Cooper -- Adaptation {"John Laroche"}
|
Paul Newman -- Road to Perdition {"John Rooney"}
|
John C. Reilly -- Chicago {"Amos Hart"}
|
Christopher Walken -- Catch Me If You Can {"Frank Abagnale"}
|
Salma Hayek -- Frida {"Frida Kahlo"}
|
| * | Nicole Kidman -- The Hours {"Virginia Woolf"}
|
Diane Lane -- Unfaithful {"Connie Sumner"}
|
Julianne Moore -- Far from Heaven {"Cathy Whitaker"}
|
Renée Zellweger -- Chicago {"Roxie Hart"}
|
Kathy Bates -- About Schmidt {"Roberta Hertzel"}
|
Julianne Moore -- The Hours {"Laura Brown"}
|
Queen Latifah -- Chicago {"Matron Mama Morton"}
|
Meryl Streep -- Adaptation {"Susan Orlean"}
|
| * | Catherine Zeta-Jones -- Chicago {"Velma Kelly"}
|
| * |
| * |
| * |
| * |
Frida -- Julie Weiss
|
| * |
| * |
| * |
| * |
| * |
| * |
| * |
"Burn It Blue" from Frida -- Music by Elliot Goldenthal; Lyric by Julie Taymor
|
"Father and Daughter" from The Wild Thornberrys Movie -- Music and Lyric by Paul Simon
|
"The Hands That Built America" from Gangs of New York -- Music and Lyric by Bono, The Edge, Adam Clayton and Larry Mullen
|
"I Move On" from Chicago -- Music by John Kander; Lyric by Fred Ebb
|
| * | "Lose Yourself" from 8 Mile -- Music by Eminem, Jeff Bass and Luis Resto; Lyric by Eminem
|
| * |
| * |
| * |
| * |
| * |
| * |
| * |
| * |
| * |
| * | To ALIAS/WAVEFRONT for the development of a 3D animation, dynamics, modeling and rendering production tool known as Maya. With its significant and dominant impact on the motion picture industry, the Maya software package offers a robust and widely used commercial visual effects tool with a rich infrastructure for extension and customization. [Digital Imaging Technology]
|
| * | To ARNOLD & RICHTER CINE TECHNIK and PANAVISION INC., for their continuing development and innovation in the design and manufacturing of advanced camera systems specifically designed for the motion picture entertainment industry. With a commitment that lies beyond the usual commercial considerations, these two manufacturers continue to lead the industry in developing and introducing products that have defined the state of the art in motion picture camera technology. [Camera]
|
| * | To GLENN SANDERS and HOWARD STARK of Zaxcom for the concept, design and engineering of the portable Deva Digital Audio Disk Recorder. This innovative design employs advanced hard disk recording technology and digital audio techniques for use in both production and post-production recording applications. [Sound]
|
| * | To MARK ELENDT, PAUL H. BRESLIN, GREG HERMANOVIC and KIM DAVIDSON for their continued development of the procedural modeling and animation components of their Prisms program, as exemplified in the Houdini software package. Through a procedural building-block process, the Houdini software is used to simulate natural phenomena using particle effects and complex three-dimensional models. [Digital Imaging Technology]
|
| * | To DR. LESLIE GUTIERREZ, DIANE E. KESTNER, JAMES MERRILL and DAVID NIKLEWICZ for the design and development of the Kodak Vision Premier Color Print Film, 2393. This film stock provides filmmakers with enhanced color saturation, higher contrast and darker blacks, producing a bold, colorful 'look' on the theater screen. [Film]
|
| * | To DEDO WEIGERT for the concept, DR. DEPU JIN for the optical calculations, and FRANZ PETTERS for the mechanical construction of the Dedolight 400D. This uniquely designed set light provides superior performance, reliability and ease of use. Combined with its excellent array of accessories, the Dedolight 400D is an outstanding engineering achievement. [Lighting]
|
| * | To DICK WALSH for the development of the PDI/DreamWorks Facial Animation System. This effective software simulation system is used to create and control natural, expressive, highly-nuanced facial animation on a wide range of computer-generated characters. [Digital Imaging Technology]
|
| * | To THOMAS DRIEMEYER and to the TEAM OF MATHEMATICIANS, PHYSICISTS AND SOFTWARE ENGINEERS OF MENTAL IMAGES for their contributions to the Mental Ray rendering software for motion pictures. Mental Ray is a highly programmable computer-graphics renderer incorporating ray tracing and global illumination to realistically simulate the behavior of light in computer-generated imagery. [Digital Imaging Technology]
|
| * | To ERIC DANIELS, GEORGE KATANICS, TASSO LAPPAS and CHRIS SPRINGFIELD for the development of the Deep Canvas rendering software. The Deep Canvas software program captures the orginal brush strokes of the traditional background artist to render elements in three dimensions for animated films. [Digital Imaging Technology]
|
| * | To JIM SONGER for his contributions to the technical development of video-assist in the motion picture industry. The work of Jim Songer from 1968 through 1973 led directly to the more widespread acceptance of video-assist in the motion picture industry. [Systems]
|
| * | To PIERRE CHABERT of Airstar for the introduction of balloons with internal light sources to provide set lighting for the motion picture industry. These helium-filled balloons with internal arrangements for tungsten halogen and HMI light sources, are usable indoors or out, quick to set up, require essentially no rigging and provide a soft light that can cover a very large area. [Lighting]
|
| * | To RAWDON HAYNE and ROBERT W. JEFFS of Leelium Tubelites for their contributions to the development of internally lit balloons for motion picture lighting. These helium-filled balloons with internal arrangements for tungsten halogen and HMI light sources, are usable indoors or out, quick to set up, require essentially no rigging and provide a soft light that can cover a very large area. [Lighting]
|
| * |
| * |
