[NOTE: This award was not associated with any specific film title.]

[NOTE: This nomination was not associated with any specific film title.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. There were no announcements of nominations, no certificates of nomination or honorable mention, and only the winners (*) were revealed during the awards banquet on April 3, 1930. Though not official nominations, the additional names in each category, according to in-house records, were under consideration by the various boards of judges.]

[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]

[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]

[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]

[NOTE: For the third Academy Awards no certificates of nomination were given out in this category, only the titles of the nominated films and their companies were listed. When the winners were revealed, only the names of the individuals involved with the winning achievements were announced. The name(s) of those credited with this achievement are indicated here in parens.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Write-in candidate.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Write-in candidate.]

[NOTE: Mr. Nichols initially refused the award, but Academy records indicate that he was in possession of a statuette by 1949.]

[NOTE: Based upon the research made by, and the board motion of, the Writers Guild of America West, the Academy, on July 3, 1991, decided to restore Albert Maltz to the screenplay credit on the 1950 film Broken Arrow. Michael Blankfort had fronted for him on the screenplay and consequently was named in the screenplay nomination. Mr. Blankfort's name was removed from the nomination.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Originally announced on February 15, 1954 as a nominee in this category. On February 17, 1954, letters from the producer and the nominee questioned its inclusion in the (original) motion picture story category, as it was based on the short story, "The Gift of Cochise," by the nominee, published in Collier's magazine on July 5, 1952. By waiver, the title of the short story was not included in the film's credits. The nomination was withdrawn, and only four titles were included on the final ballot.]

[NOTE: The screen credit and award were originally credited to Ian McLellan Hunter, who was a "front" for Dalton Trumbo. On December 15, 1992, the Academy's Board of Governors voted to change the records and award Mr. Trumbo with the achievement. Ian McLellan Hunter's name was removed from the Motion Picture Story category. The Oscar was posthumously presented to Trumbo's widow on May 10, 1993.]

[NOTE: The name of the writer credited with authorship, Robert Rich, turned out to be an alias. Two decades later, the mystery was officially solved and the Academy statuette went (on May 2, 1975, presented by then Academy president Walter Mirisch) to its rightful owner, screenwriter Dalton Trumbo, blacklisted in 1956 by the industry for political affiliations. Robert Rich (who had nothing to do with the film industry) is a nephew of the King Brothers, producers of the film. They chose his name to be the alias for Dalton Trumbo on the screenplay.]

[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Edward Bernds and Elwood Ullman, the authors of this Bowery Boys quickie, respectfully withdrew their own names and the nomination, aware that voters had probably mistaken their film with a 1956 MGM release with the same title written by John Patrick and starring Bing Crosby, Grace Kelly and Frank Sinatra. (Even so, MGM's High Society would only have been eligible for adapted screenplay.)]

[NOTE: Early in 1956, the name of blacklisted screenwriter Michael Wilson had been deleted from the screen credits of Friendly Persuasion by Allied Artists, the film's distributor, based on a 1952 agreement between the Screen Writers Guild and various production companies. That agreement gave studios the right to omit from the screen the name of any individual who had failed to clear himself before a duly constituted legislative committee of Congress if accused of Communist affiliations, as was the case with Wilson at the time. The Academy, in the awkward position of possibly conferring its highest honor on someone whose name had been omitted from screen credit, revised its bylaws at a special February 6, 1957, meeting. That revision, in essence, allowed that in such cases, the achievement itself could be eligible for nomination, but the specific writer would be ineligible. The following instructions were sent to Price Waterhouse & Co., Certified Public Accountants, who tabulated Academy ballots: "...we ask that if, in tabulating the nominations ballots for Best Screenplay (adapted), Friendly Persuasion is one of the five nominations, you list the other four alphabetically by title and below: Friendly Persuasion - Achievement nominated, but writer ineligible for Award under Academy By-Laws." On February 17, 1957, the Academy's Board of Governors voted to instruct Price Waterhouse & Co. "...to list five nominations, and in the event that one of these is declared ineligible under the By-Law provision, four nominations would appear on the final ballot." THIS NOMINATION WAS NOT INCLUDED ON THE FINAL BALLOT. (The bylaw was repealed by the Academy as "unworkable" on January 12, 1959.) On December 10, 2002, the Academy's Board of Governors voted to reinstate Mr. Wilson's nomination.]

[NOTE: Though Pierre Boulle received official screen credit, it was commonly known that blacklisted writers, Michael Wilson and Carl Foreman, wrote the screenplay based on Mr. Boulle's novel (translated from the French). The Board of Governors, on December 11, 1984, voted posthumous Oscars to Wilson and Foreman and Academy records have been updated.]

[NOTE: Upon request of his widow and upon recommendation of the Writers Branch Executive Committee, the Board of Governors voted on June 22, 1993, to restore the name of Nedrick Young to the nominations and award presented to Nathan E. Douglas (Mr. Young's pseudonym during the blacklisting period).]

[NOTE: Upon request of his widow and upon recommendation of the Writers Branch Executive Committee, the Board of Governors voted on June 22, 1993, to restore the name of Nedrick Young to the nominations and award presented to Nathan E. Douglas (Mr. Young's pseudonym during the blacklisting period).]

[NOTE: The Board of Governors voted on September 26, 1995 to grant then-blacklisted writer Michael Wilson an Academy Award nomination, along with Robert Bolt, for Lawrence of Arabia. This was the result of a Writers Guild of America finding that Wilson and Bolt share the credit for the screenplay.]