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Results displayed by award category; sort is chronological
indicates a win; links to acceptance speech

1946 (19th)
ACTOR
Fredric March
--
The Best Years of Our Lives
{"Al Stephenson"}
Laurence Olivier
--
Henry V
{"Henry V"}
Larry Parks
--
The Jolson Story
{"Al Jolson"}
Gregory Peck
--
The Yearling
{"Pa Baxter"}
James Stewart
--
It's a Wonderful Life
{"George Bailey"}
ACTOR IN A SUPPORTING ROLE
Charles Coburn
--
The Green Years
{"Alexander Gow"}
William Demarest
--
The Jolson Story
{"Steve Martin"}
Claude Rains
--
Notorious
{"Alexander Sebastian"}
Harold Russell
--
The Best Years of Our Lives
{"Homer Parrish"}
Clifton Webb
--
The Razor's Edge
{"Elliott Templeton"}
ACTRESS
Olivia de Havilland
--
To Each His Own
{"Jody Norris"}
Celia Johnson
--
Brief Encounter
{"Laura Jesson"}
Jennifer Jones
--
Duel in the Sun
{"Pearl Chavez"}
Rosalind Russell
--
Sister Kenny
{"Elizabeth Kenny"}
Jane Wyman
--
The Yearling
{"Ma Baxter"}
ACTRESS IN A SUPPORTING ROLE
Ethel Barrymore
--
The Spiral Staircase
{"Mrs. Warren"}
Anne Baxter
--
The Razor's Edge
{"Sophie MacDonald"}
Lillian Gish
--
Duel in the Sun
{"Belle McCanles"}
Flora Robson
--
Saratoga Trunk
{"Angelique Buiton"}
Gale Sondergaard
--
Anna and the King of Siam
{"Lady Thiang"}
ART DIRECTION (Black-and-White)
Anna and the King of Siam
--
Art Direction: Lyle Wheeler, William Darling; Interior Decoration: Thomas Little, Frank E. Hughes
Kitty
--
Art Direction: Hans Dreier, Walter Tyler; Interior Decoration: Sam Comer, Ray Moyer
The Razor's Edge
--
Art Direction: Richard Day, Nathan Juran; Interior Decoration: Thomas Little, Paul S. Fox
ART DIRECTION (Color)
Caesar and Cleopatra
--
John Bryan
Henry V
--
Art Direction: Paul Sheriff, Carmen Dillon
The Yearling
--
Art Direction: Cedric Gibbons, Paul Groesse; Interior Decoration: Edwin B. Willis
CINEMATOGRAPHY (Black-and-White)
Anna and the King of Siam
--
Arthur Miller
The Green Years
--
George Folsey
CINEMATOGRAPHY (Color)
The Jolson Story
--
Joseph Walker
The Yearling
--
Charles Rosher, Leonard Smith, Arthur Arling
DIRECTING
The Best Years of Our Lives
--
William Wyler
Brief Encounter
--
David Lean
It's a Wonderful Life
--
Frank Capra
The Killers
--
Robert Siodmak
The Yearling
--
Clarence Brown
DOCUMENTARY (Short Subject)
Atomic Power
--
The March of Time
Life at the Zoo
--
Artkino
Paramount News Issue #37 (Twentieth Anniversary Issue! 1927.....1947)
--
Paramount
Seeds of Destiny
--
United States Department of War
Traffic with the Devil
--
Herbert Morgan, Producer
FILM EDITING
The Best Years of Our Lives
--
Daniel Mandell
It's a Wonderful Life
--
William Hornbeck
The Jolson Story
--
William Lyon
The Killers
--
Arthur Hilton
The Yearling
--
Harold Kress
MUSIC (Music Score of a Dramatic or Comedy Picture)
Anna and the King of Siam
--
Bernard Herrmann
The Best Years of Our Lives
--
Hugo Friedhofer
Henry V
--
William Walton
Humoresque
--
Franz Waxman
The Killers
--
Miklos Rozsa
MUSIC (Scoring of a Musical Picture)
Blue Skies
--
Robert Emmett Dolan
Centennial Summer
--
Alfred Newman
The Harvey Girls
--
Lennie Hayton
The Jolson Story
--
Morris Stoloff
Night and Day
--
Ray Heindorf, Max Steiner
MUSIC (Song)
"All Through The Day"
from
Centennial Summer
--
Music by Jerome Kern; Lyrics by Oscar Hammerstein II
"I Can't Begin To Tell You"
from
The Dolly Sisters
--
Music by James Monaco; Lyrics by Mack Gordon
"Ole Buttermilk Sky"
from
Canyon Passage
--
Music by Hoagy Carmichael; Lyrics by Jack Brooks
"On The Atchison, Topeka And The Santa Fe"
from
The Harvey Girls
--
Music by Harry Warren; Lyrics by Johnny Mercer
"This Is Always"
from
Three Little Girls in Blue
--
Music by Harry Warren; Lyrics by Mack Gordon
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. After nominations were announced on February 10, 1947, it was discovered that the song had been cut from the release print of the film, making it ineligible. The nomination was rescinded on February 13, and the music branch reballoted to determine the five nominations in the category.]
"You Keep Coming Back Like A Song"
from
Blue Skies
--
Music and Lyrics by Irving Berlin
BEST MOTION PICTURE
The Best Years of Our Lives
--
Samuel Goldwyn Productions
Henry V
--
J. Arthur Rank-Two Cities Films
It's a Wonderful Life
--
Liberty Films
The Razor's Edge
--
20th Century-Fox
The Yearling
--
Metro-Goldwyn-Mayer
SHORT SUBJECT (Cartoon)
The Cat Concerto
--
Frederick Quimby, Producer
Chopin's Musical Moments
--
Walter Lantz, Producer
John Henry and the Inky Poo
--
George Pal, Producer
Squatter's Rights
--
Walt Disney, Producer
Walky Talky Hawky
--
Edward Selzer, Producer
SHORT SUBJECT (One-reel)
Dive-Hi Champs
--
Jack Eaton, Producer
Facing Your Danger
--
Gordon Hollingshead, Producer
Golden Horses
--
Edmund Reek, Producer
Smart as a Fox
--
Gordon Hollingshead, Producer
Sure Cures
--
Pete Smith, Producer
SHORT SUBJECT (Two-reel)
A Boy and His Dog
--
Gordon Hollingshead, Producer
College Queen
--
George B. Templeton, Producer
Hiss and Yell
--
Jules White, Producer
The Luckiest Guy in the World
--
Jerry Bresler, Producer
SOUND RECORDING
The Best Years of Our Lives
--
Samuel Goldwyn Studio Sound Department, Gordon Sawyer, Sound Director
It's a Wonderful Life
--
RKO Radio Studio Sound Department, John Aalberg, Sound Director
The Jolson Story
--
Columbia Studio Sound Department, John Livadary, Sound Director
SPECIAL EFFECTS
Blithe Spirit
--
Special Visual Effects by Thomas Howard
A Stolen Life
--
Special Visual Effects by William McGann; Special Audible Effects by Nathan Levinson
WRITING (Original Motion Picture Story)
The Dark Mirror
--
Vladimir Pozner
The Strange Love of Martha Ivers
--
Jack Patrick
The Stranger
--
Victor Trivas
To Each His Own
--
Charles Brackett
Vacation from Marriage
--
Clemence Dane
WRITING (Original Screenplay)
The Blue Dahlia
--
Raymond Chandler
Children of Paradise
--
Jacques Prevert
Notorious
--
Ben Hecht
Road to Utopia
--
Norman Panama, Melvin Frank
The Seventh Veil
--
Muriel Box, Sydney Box
WRITING (Screenplay)
Anna and the King of Siam
--
Talbot Jennings, Sally Benson
The Best Years of Our Lives
--
Robert E. Sherwood
Brief Encounter
--
David Lean, Anthony Havelock-Allan, Ronald Neame
The Killers
--
Anthony Veiller
Open City
--
Sergio Amidei, F. Fellini
SPECIAL AWARD
To Laurence Olivier for his outstanding achievement as actor, producer and director in bringing Henry V to the screen.
To Harold Russell for bringing hope and courage to his fellow veterans through his appearance in The Best Years of Our Lives.
To Ernst Lubitsch for his distinguished contributions to the art of the motion picture.
To Claude Jarman, Jr., outstanding child actor of 1946.
IRVING G. THALBERG MEMORIAL AWARD
Samuel Goldwyn
SCIENTIFIC OR TECHNICAL AWARD (Class III)
To HARLAN L. BAUMBACH and the PARAMOUNT WEST COAST LABORATORY for an improved method for the quantitative determination of hydroquinone and metol in photographic developing baths.
[Laboratory]
To HERBERT E. BRITT for the development and application of formulas and equipment for producing cloud and smoke effects.
[Stage Operations]
To BURTON F. MILLER and the WARNER BROS. STUDIO SOUND and ELECTRICAL DEPARTMENTS for the design and construction of a motion picture arc lighting generator filter.
[Lighting]
To CARL FAULKNER of the 20th Century-Fox Studio Sound Department for the reversed bias method, including a double bias method for light valve and galvonometer density recording.
[Sound]
To the MOLE-RICHARDSON COMPANY for the Type 450 super high intensity carbon arc lamp.
[Lighting]
To ARTHUR F. BLINN, ROBERT O. COOK, C. O. SLYFIELD and the WALT DISNEY STUDIO SOUND DEPARTMENT for the design and development of an audio finder and track viewer for checking and locating noise in sound tracks.
[Sound]
To BURTON F. MILLER and the WARNER BROS. STUDIO SOUND DEPARTMENT for the design and application of an equalizer to eliminate relative spectral energy distortion in electronic compressors.
[Sound]
To MARTY MARTIN and HAL ADKINS of the RKO Radio Studio Miniature Department for the design and construction of equipment providing visual bullet effects.
[Stage Operations]
To HAROLD NYE and the WARNER BROS. STUDIO ELECTRICAL DEPARTMENT for the development of the electronically controlled fire and gaslight effect.
[Stage Operations]
Note: Names and film titles in the Academy Awards Database are derived from film credits and other documentation submitted to the Academy at the time of nomination or award. Changes to name forms or other information contained in the Database may be considered upon request, with respect to preservation of the historical record and the nominee/award recipient.