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Results displayed by award category; sort is chronological
indicates a win; links to acceptance speech

1949 (22nd)
ACTOR
Broderick Crawford
--
All the King's Men
{"Willie Stark"}
Kirk Douglas
--
Champion
{"Midge Kelly"}
Gregory Peck
--
Twelve O'Clock High
{"General Savage"}
Richard Todd
--
The Hasty Heart
{"Lachie"}
John Wayne
--
Sands of Iwo Jima
{"Sergeant John M. Stryker"}
ACTOR IN A SUPPORTING ROLE
John Ireland
--
All the King's Men
{"Jack Burden"}
Dean Jagger
--
Twelve O'Clock High
{"Major Stovall"}
Arthur Kennedy
--
Champion
{"Connie Kelly"}
Ralph Richardson
--
The Heiress
{"Dr. Austin Sloper"}
James Whitmore
--
Battleground
{"Kinnie"}
ACTRESS
Jeanne Crain
--
Pinky
{"Pinky"}
Olivia de Havilland
--
The Heiress
{"Catherine Sloper"}
Susan Hayward
--
My Foolish Heart
{"Eloise Winters"}
Deborah Kerr
--
Edward, My Son
{"Evelyn Boult"}
Loretta Young
--
Come to the Stable
{"Sister Margaret"}
ACTRESS IN A SUPPORTING ROLE
Ethel Barrymore
--
Pinky
{"Miss Em"}
Celeste Holm
--
Come to the Stable
{"Sister Scholastica"}
Elsa Lanchester
--
Come to the Stable
{"Miss Potts"}
Mercedes McCambridge
--
All the King's Men
{"Sadie Burke"}
Ethel Waters
--
Pinky
{"Granny"}
ART DIRECTION (Black-and-White)
Come to the Stable
--
Art Direction: Lyle Wheeler, Joseph C. Wright; Set Decoration: Thomas Little, Paul S. Fox
The Heiress
--
Art Direction: Harry Horner, John Meehan; Set Decoration: Emile Kuri
Madame Bovary
--
Art Direction: Cedric Gibbons, Jack Martin Smith; Set Decoration: Edwin B. Willis, Richard A. Pefferle
ART DIRECTION (Color)
The Adventures of Don Juan
--
Art Direction: Edward Carrere; Set Decoration: Lyle Reifsnider
Little Women
--
Art Direction: Cedric Gibbons, Paul Groesse; Set Decoration: Edwin B. Willis, Jack D. Moore
Saraband
--
Art Direction: Jim Morahan, William Kellner, Michael Relph
CINEMATOGRAPHY (Black-and-White)
Battleground
--
Paul C. Vogel
Champion
--
Frank Planer
Come to the Stable
--
Joseph LaShelle
The Heiress
--
Leo Tover
Prince of Foxes
--
Leon Shamroy
CINEMATOGRAPHY (Color)
The Barkleys of Broadway
--
Harry Stradling
Jolson Sings Again
--
William Snyder
Little Women
--
Robert Planck, Charles Schoenbaum
Sand
--
Charles G. Clarke
She Wore a Yellow Ribbon
--
Winton Hoch
COSTUME DESIGN (Black-and-White)
The Heiress
--
Edith Head, Gile Steele
Prince of Foxes
--
Vittorio Nino Novarese
COSTUME DESIGN (Color)
The Adventures of Don Juan
--
Leah Rhodes, Travilla, Marjorie Best
Mother Is a Freshman
--
Kay Nelson
DIRECTING
All the King's Men
--
Robert Rossen
Battleground
--
William A. Wellman
The Fallen Idol
--
Carol Reed
The Heiress
--
William Wyler
A Letter to Three Wives
--
Joseph L. Mankiewicz
DOCUMENTARY (Feature)
Daybreak in Udi
--
Crown Film Unit
Kenji Comes Home
--
Paul F. Heard, Producer
DOCUMENTARY (Short Subject)
A Chance to Live
--
Richard de Rochemont, Producer
[NOTE: A tie. The other winning film in this category was So Much for So Little.]
1848
--
French Cinema General Cooperative
The Rising Tide
--
St. Francis-Xavier University, Antigonish, Nova Scotia
So Much for So Little
--
Edward Selzer, Producer
[NOTE: A tie. The other winning film in this category was A Chance to Live.]
FILM EDITING
All the King's Men
--
Robert Parrish, Al Clark
Battleground
--
John Dunning
Champion
--
Harry Gerstad
Sands of Iwo Jima
--
Richard L. Van Enger
The Window
--
Frederic Knudtson
MUSIC (Music Score of a Dramatic or Comedy Picture)
Beyond the Forest
--
Max Steiner
Champion
--
Dimitri Tiomkin
The Heiress
--
Aaron Copland
MUSIC (Scoring of a Musical Picture)
Jolson Sings Again
--
Morris Stoloff, George Duning
Look for the Silver Lining
--
Ray Heindorf
On the Town
--
Roger Edens, Lennie Hayton
MUSIC (Song)
"Baby, It's Cold Outside"
from
Neptune's Daughter
--
Music and Lyrics by Frank Loesser
"It's A Great Feeling"
from
It's a Great Feeling
--
Music by Jule Styne; Lyrics by Sammy Cahn
"Lavender Blue"
from
So Dear to My Heart
--
Music by Eliot Daniel; Lyrics by Larry Morey
"My Foolish Heart"
from
My Foolish Heart
--
Music by Victor Young; Lyrics by Ned Washington
"Through A Long And Sleepless Night"
from
Come to the Stable
--
Music by Alfred Newman; Lyrics by Mack Gordon
BEST MOTION PICTURE
All the King's Men
--
Robert Rossen Productions
Battleground
--
Metro-Goldwyn-Mayer
The Heiress
--
Paramount
A Letter to Three Wives
--
20th Century-Fox
Twelve O'Clock High
--
20th Century-Fox
SHORT SUBJECT (Cartoon)
Canary Row
--
Edward Selzer, Producer
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. Nomination withdrawn by producer.]
For Scent-Imental Reasons
--
Edward Selzer, Producer
Hatch Up Your Troubles
--
Fred Quimby, Producer
The Magic Fluke
--
Stephen Bosustow, Producer
Toy Tinkers
--
Walt Disney, Producer
SHORT SUBJECT (One-reel)
Aquatic House-Party
--
Jack Eaton, Producer
Roller Derby Girl
--
Justin Herman, Producer
So You Think You're Not Guilty
--
Gordon Hollingshead, Producer
Spills and Chills
--
Walton C. Ament, Producer
Water Trix
--
Pete Smith, Producer
SHORT SUBJECT (Two-reel)
The Boy and the Eagle
--
William Lasky, Producer
Chase of Death
--
Irving Allen, Producer
The Grass Is Always Greener
--
Gordon Hollingshead, Producer
Snow Carnival
--
Gordon Hollingshead, Producer
Van Gogh
--
Gaston Diehl and Robert Haessens, Producers
SOUND RECORDING
Once More, My Darling
--
Universal-International Studio Sound Department, Leslie I. Carey, Sound Director
Sands of Iwo Jima
--
Republic Studio Sound Department, Daniel J. Bloomberg, Sound Director
Twelve O'Clock High
--
20th Century-Fox Studio Sound Department, Thomas T. Moulton, Sound Director
SPECIAL EFFECTS
Mighty Joe Young
--
ARKO Productions
Tulsa
--
Walter Wanger Pictures
WRITING (Motion Picture Story)
Come to the Stable
--
Clare Boothe Luce
It Happens Every Spring
--
Shirley W. Smith, Valentine Davies
Sands of Iwo Jima
--
Harry Brown
The Stratton Story
--
Douglas Morrow
White Heat
--
Virginia Kellogg
WRITING (Screenplay)
All the King's Men
--
Robert Rossen
The Bicycle Thief
--
Cesare Zavattini
Champion
--
Carl Foreman
The Fallen Idol
--
Graham Greene
A Letter to Three Wives
--
Joseph L. Mankiewicz
WRITING (Story and Screenplay)
Battleground
--
Robert Pirosh
Jolson Sings Again
--
Sidney Buchman
Paisan
--
Alfred Hayes, Federico Fellini, Sergio Amidei, Marcello Pagliero, Roberto Rossellini
Passport to Pimlico
--
T. E. B. Clarke
The Quiet One
--
Helen Levitt, Janice Loeb, Sidney Meyers
SPECIAL FOREIGN LANGUAGE FILM AWARD
To The Bicycle Thief - voted by the Academy Board of Governors as the most outstanding foreign language film released in the United States during 1949.
SPECIAL AWARD
To Bobby Driscoll, as the outstanding juvenile actor of 1949.
To Fred Astaire for his unique artistry and his contributions to the technique of musical pictures.
To Cecil B. DeMille, distinguished motion picture pioneer, for 37 years of brilliant showmanship.
To Jean Hersholt, for distinguished service to the motion picture industry.
SCIENTIFIC OR TECHNICAL AWARD (Class I)
To EASTMAN KODAK COMPANY for the development and introduction of an improved safety base motion picture film.
[Film]
SCIENTIFIC OR TECHNICAL AWARD (Class III)
To LOREN L. RYDER, BRUCE H. DENNEY, ROBERT CARR and the PARAMOUNT STUDIO SOUND DEPARTMENT for the development and application of the supersonic playback and public address system.
[Stage Operations]
To M. B. PAUL for the first successful large-area seamless translucent backgrounds.
[Special Photographic]
To HERBERT E. BRITT for the development and application of formulas and equipment producing artificial snow and ice for dressing motion picture sets.
[Stage Operations]
To ANDRE COUTANT and JACQUES MATHOT for the design of the Eclair camerette.
[Camera]
To CHARLES R. DAILY, STEVE CSILLAG and the PARAMOUNT STUDIO ENGINEERING, EDITORIAL and MUSIC DEPARTMENTS for a new precision method of computing variable tempo click tracks.
[Editorial]
To the INTERNATIONAL PROJECTOR CORPORATION for a simplified and self-adjusting take-up device for projection machines.
[Projection]
To ALEXANDER VELCOFF for the application to production of the infra-red photographic evaluator.
[Photography]
Note: Names and film titles in the Academy Awards Database are derived from film credits and other documentation submitted to the Academy at the time of nomination or award. Changes to name forms or other information contained in the Database may be considered upon request, with respect to preservation of the historical record and the nominee/award recipient.