Home / Oscars / Awards Databases

Results

Search Results URL
https://awardsdatabase.oscars.org/search/getresults?query=%7B%22Sort%22%3A%223-Award%20Category-Chron%22%2C%22AwardShowNumberFrom%22%3A36%2C%22AwardShowNumberTo%22%3A0%2C%22Search%22%3A30%7D
https://awardsdatabase.oscars.org/search/getresults?query=%7B%22Sort%22%3A%223-Award%20Category-Chron%22%2C%22AwardShowNumberFrom%22%3A36%2C%22AwardShowNumberTo%22%3A0%2C%22Search%22%3A30%7D
Results displayed by award category; sort is chronological
indicates a win; links to acceptance speech

1963 (36th)
ACTOR
Albert Finney
--
Tom Jones
{"Tom Jones"}
Richard Harris
--
This Sporting Life
{"Frank Machin"}
Rex Harrison
--
Cleopatra
{"Julius Caesar"}
Paul Newman
--
Hud
{"Hud Bannon"}
Sidney Poitier
--
Lilies of the Field
{"Homer Smith"}
ACTOR IN A SUPPORTING ROLE
Nick Adams
--
Twilight of Honor
{"Ben Brown"}
Bobby Darin
--
Captain Newman, M.D.
{"Corp. Jim Tompkins"}
Melvyn Douglas
--
Hud
{"Homer Bannon"}
Hugh Griffith
--
Tom Jones
{"Squire Western"}
John Huston
--
The Cardinal
{"Cardinal Glennon"}
ACTRESS
Leslie Caron
--
The L-Shaped Room
{"Jane"}
Shirley MacLaine
--
Irma La Douce
{"Irma La Douce"}
Patricia Neal
--
Hud
{"Alma"}
Rachel Roberts
--
This Sporting Life
{"Mrs. Hammond"}
Natalie Wood
--
Love with the Proper Stranger
{"Angie"}
ACTRESS IN A SUPPORTING ROLE
Diane Cilento
--
Tom Jones
{"Molly"}
Dame Edith Evans
--
Tom Jones
{"Miss Western"}
Joyce Redman
--
Tom Jones
{"Mrs. Waters"}
Margaret Rutherford
--
The V.I.P.s
{"Duchess of Brighton"}
Lilia Skala
--
Lilies of the Field
{"Mother Maria"}
ART DIRECTION (Black-and-White)
America America
--
Gene Callahan
Federico Fellini's 8-1/2
--
Piero Gherardi
Hud
--
Art Direction: Hal Pereira, Tambi Larsen; Set Decoration: Sam Comer, Robert Benton
Love with the Proper Stranger
--
Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, Grace Gregory
Twilight of Honor
--
Art Direction: George W. Davis, Paul Groesse; Set Decoration: Henry Grace, Hugh Hunt
ART DIRECTION (Color)
The Cardinal
--
Art Direction: Lyle Wheeler; Set Decoration: Gene Callahan
Cleopatra
--
Art Direction: John DeCuir, Jack Martin Smith, Hilyard Brown, Herman Blumenthal, Elven Webb, Maurice Pelling, Boris Juraga; Set Decoration: Walter M. Scott, Paul S. Fox, Ray Moyer
Come Blow Your Horn
--
Art Direction: Hal Pereira, Roland Anderson; Set Decoration: Sam Comer, James Payne
How the West Was Won
--
Art Direction: George W. Davis, William Ferrari, Addison Hehr; Set Decoration: Henry Grace, Don Greenwood, Jr., Jack Mills
Tom Jones
--
Art Direction: Ralph Brinton, Ted Marshall, Jocelyn Herbert; Set Decoration: Josie MacAvin
CINEMATOGRAPHY (Black-and-White)
The Balcony
--
George Folsey
The Caretakers
--
Lucien Ballard
Hud
--
James Wong Howe
Lilies of the Field
--
Ernest Haller
Love with the Proper Stranger
--
Milton Krasner
CINEMATOGRAPHY (Color)
The Cardinal
--
Leon Shamroy
Cleopatra
--
Leon Shamroy
How the West Was Won
--
William H. Daniels, Milton Krasner, Charles Lang, Jr., Joseph LaShelle
Irma La Douce
--
Joseph LaShelle
It's a Mad, Mad, Mad, Mad World
--
Ernest Laszlo
COSTUME DESIGN (Black-and-White)
Federico Fellini's 8-1/2
--
Piero Gherardi
Love with the Proper Stranger
--
Edith Head
The Stripper
--
Travilla
Toys in the Attic
--
Bill Thomas
Wives and Lovers
--
Edith Head
COSTUME DESIGN (Color)
The Cardinal
--
Donald Brooks
Cleopatra
--
Irene Sharaff, Vittorio Nino Novarese, Renie
How the West Was Won
--
Walter Plunkett
The Leopard
--
Piero Tosi
A New Kind of Love
--
Edith Head
DIRECTING
America America
--
Elia Kazan
The Cardinal
--
Otto Preminger
Federico Fellini's 8-1/2
--
Federico Fellini
Hud
--
Martin Ritt
Tom Jones
--
Tony Richardson
DOCUMENTARY (Feature)
Le Maillon et la Chaine (The Link and the Chain)
--
Paul de Roubaix, Producer
Robert Frost: A Lover's Quarrel with the World
--
Robert Hughes, Producer
Terminus
--
Edgar Anstey, Producer
[NOTE: THIS IS NOT AN OFFICIAL NOMINATION. After the nominations were announced, it was discovered that this film was first released prior to the eligibility period, and the nomination was withdrawn.]
The Yanks Are Coming
--
Marshall Flaum, Producer
DOCUMENTARY (Short Subject)
Chagall
--
Simon Schiffrin, Producer
The Five Cities of June
--
George Stevens, Jr., Producer
The Spirit of America
--
Algernon G. Walker, Producer
Thirty Million Letters
--
Edgar Anstey, Producer
To Live Again
--
Mel London, Producer
FILM EDITING
The Cardinal
--
Louis R. Loeffler
Cleopatra
--
Dorothy Spencer
The Great Escape
--
Ferris Webster
How the West Was Won
--
Harold F. Kress
It's a Mad, Mad, Mad, Mad World
--
Frederic Knudtson, Robert C. Jones, Gene Fowler, Jr.
FOREIGN LANGUAGE FILM
Federico Fellini's 8-1/2
--
Italy
Knife in the Water
--
Poland
Los Tarantos
--
Spain
The Red Lanterns
--
Greece
Twin Sisters of Kyoto
--
Japan
MUSIC (Music Score--substantially original)
Cleopatra
--
Alex North
55 Days at Peking
--
Dimitri Tiomkin
How the West Was Won
--
Alfred Newman, Ken Darby
It's a Mad, Mad, Mad, Mad World
--
Ernest Gold
Tom Jones
--
John Addison
MUSIC (Scoring of Music--adaptation or treatment)
Bye Bye Birdie
--
John Green
Irma La Douce
--
Andre Previn
A New Kind of Love
--
Leith Stevens
Sundays and Cybele
--
Maurice Jarre
The Sword in the Stone
--
George Bruns
MUSIC (Song)
"Call Me Irresponsible"
from
Papa's Delicate Condition
--
Music by James Van Heusen; Lyrics by Sammy Cahn
"Charade"
from
Charade
--
Music by Henry Mancini; Lyrics by Johnny Mercer
"It's A Mad, Mad, Mad, Mad World"
from
It's a Mad, Mad, Mad, Mad World
--
Music by Ernest Gold; Lyrics by Mack David
"More"
from
Mondo Cane
--
Music by Riz Ortolani and Nino Oliviero; Lyrics by Norman Newell
"So Little Time"
from
55 Days at Peking
--
Music by Dimitri Tiomkin; Lyrics by Paul Francis Webster
BEST PICTURE
America America
--
Elia Kazan, Producer
Cleopatra
--
Walter Wanger, Producer
How the West Was Won
--
Bernard Smith, Producer
Lilies of the Field
--
Ralph Nelson, Producer
Tom Jones
--
Tony Richardson, Producer
SHORT SUBJECT (Cartoon)
Automania 2000
--
John Halas, Producer
The Critic
--
Ernest Pintoff, Producer
The Game (Igra)
--
Dusan Vukotic, Producer
My Financial Career
--
Colin Low and Tom Daly, Producers
Pianissimo
--
Carmen D'Avino, Producer
SHORT SUBJECT (Live Action)
The Concert
--
Ezra Baker, Producer
Home-Made Car
--
James Hill, Producer
An Occurrence at Owl Creek Bridge
--
Paul de Roubaix and Marcel Ichac, Producers
Six-Sided Triangle
--
Christopher Miles, Producer
That's Me
--
Walker Stuart, Producer
SOUND
Bye Bye Birdie
--
Columbia Studio Sound Department, Charles Rice, Sound Director
Captain Newman, M.D.
--
Universal City Studio Sound Department, Waldon O. Watson, Sound Director
Cleopatra
--
20th Century-Fox Studio Sound Department, James P. Corcoran, Sound Director; and Todd-AO Sound Department, Fred Hynes, Sound Director
How the West Was Won
--
Metro-Goldwyn-Mayer Studio Sound Department, Franklin E. Milton, Sound Director
It's a Mad, Mad, Mad, Mad World
--
Samuel Goldwyn Studio Sound Department, Gordon E. Sawyer, Sound Director
SOUND EFFECTS
A Gathering of Eagles
--
Robert L. Bratton
It's a Mad, Mad, Mad, Mad World
--
Walter G. Elliott
SPECIAL EFFECTS
The Birds
--
Ub Iwerks
Cleopatra
--
Emil Kosa, Jr.
WRITING (Screenplay--based on material from another medium)
Captain Newman, M.D.
--
Richard L. Breen, Phoebe Ephron, Henry Ephron
Hud
--
Irving Ravetch, Harriet Frank, Jr.
Lilies of the Field
--
James Poe
Sundays and Cybele
--
Serge Bourguignon, Antoine Tudal
Tom Jones
--
John Osborne
WRITING (Story and Screenplay--written directly for the screen)
America America
--
Elia Kazan
Federico Fellini's 8-1/2
--
Federico Fellini, Ennio Flaiano, Tullio Pinelli, Brunello Rondi
The Four Days of Naples
--
Story by Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy, Vasco Pratolini; Screenplay by Carlo Bernari, Pasquale Festa Campanile, Massimo Franciosa, Nanni Loy
How the West Was Won
--
James R. Webb
Love with the Proper Stranger
--
Arnold Schulman
IRVING G. THALBERG MEMORIAL AWARD
Sam Spiegel
SCIENTIFIC OR TECHNICAL AWARD (Class III)
To DOUGLAS G. SHEARER and A. ARNOLD GILLESPIE of Metro-Goldwyn-Mayer Studios for the engineering of an improved Background Process Projection System.
[Special Photographic]
Note: Names and film titles in the Academy Awards Database are derived from film credits and other documentation submitted to the Academy at the time of nomination or award. Changes to name forms or other information contained in the Database may be considered upon request, with respect to preservation of the historical record and the nominee/award recipient.